A word or two about the form of this poem. I did not invent it; my (Anglican) friend Russ Smith did. It requires that you create a poem which tracks well when displayed in two different ways: as ten lines of eight syllables and also as eight lines of ten syllables. And, each way, every pair of successive lines must rhyme.
So, it is a cramped, rigorous, and demanding form. You might think it would sound very stilted when read aloud, but that is usually not the case. Because the rhymes pass each other like a faster train passing a slower train, you get a sort of "beat frequency" phenomenon, which ends up sometimes lending it a jazzy feel. Anyhow, without further ado, here is the poem, with a photo of the Mariners' Church organ, for a little traditional Anglican "eye candy."
Let Everything
that Hath Breath
(for Kenneth Sweetman, Advent, 1999)
(for Kenneth Sweetman, Advent, 1999)
Let everything that owns a lung
give praise to God. Let pipe and tongue
rejoice in phase. The mighty King
of Instruments breaths out to sing
with pulmonary zeal, to shout.
The organist from his redoubt
commands the pipes like ranks of chess-
men by his hands. And they confess
what each tongue here would say … but,
nay,
the King takes all our breath away.
Let everything that owns a lung give
praise
to God.
Let pipe and tongue rejoice in phase.
The mighty King of Instruments breathes
out
to sing with pulmonary zeal, to shout.
The organist from his redoubt commands
the pipes like ranks of chessmen by his
hands.
And they confess what each tongue here
would say …
but, nay, the King takes all our breath
away.
© 1999, Paul W. Erlandson
2 comments:
I love it! You are right about what the unusual stanza form (forms?) does to the feel of the text.
I was in the Mariner's Church for a concert one time back in the 1980's. The photo brings back memories.
Thanks, Castanea_d!
I hope that maybe you can visit again sometime.
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